From ‘Sumer is icumen in’, featuring the Hilliard Ensemble (HMA 1951154): Round: Sumer is icumen in, Mater ora filium, Worldes blisse have good day, Ovet mundus letabundus.

2 settings of ‘Bonny Sweet Robin’: Anonymous lute version played by Jacob Heringman (Philips 446687) and Thomas Simpson’s setting performed by the Amsterdam Loeki Stardust Quartet (L’Oiseau-Lyre 414277).

John Sheppard: Media Vita. Performed by Stile Antico. HMU 807509.

From ‘Shakespeare’s Musick’, performed by The Musicians of the Globe (Philips 446687): Kemp’s Jig, La Coranto & La Volta (Morley), La Volta (Byrd).

From ‘King Arthur’ by Henry Purcell: Chacony and ‘Fairest Isle’. Performed by Accademia Bizantina, with countertenor Andreas Scholl. Decca 4782262.

Closing Music: Improvisation on ‘Tregian’s Ground’, performed by The Folger Consort. Bard 9510.

William Byrd: Aspice, Domine quia facta est, Attolite portas, O lux beata Trinitas. Performed by The Cardinall’s Musick. ASV GAU 197.

William Lawes: Royall Consort Sett No. 5. Performed by Les Voix Humaines. ATMA 2373.

Heinrich Schütz: Ich glaube an einen einigen Gott (Credo from Missa Brevis) SWV 422, Ich Danke dem Herrn von ganzem Herzen SWV 424, Danksagen wir alle Gott, unserm Herren Christo SWV 425, O süßer Jesu Christ, wer an dich recht gedenken SWV 427. Performed by The Dresden Chamber Choir (Dresdner Kammerchor). Carus 83.239.

From “Shipwrecked“, performed by eX: Ho Hoane Jig (after anon. piece from Fitzwilliam Virginal Book), Villanos (improvisation based on traditional Spanish tune), The Seige/Greensleeves/Recercada VII (anon., Ballet Lute Book and Diego Ortiz), Is Eagal leam an Bas (Ruaidhri Dall O Cathain), The Countess of Ormonde’s Galliard (attr. Anthony Holborne), Recercada VIII (Diego Ortiz). Heresy Records 001.

Heinrich Biber: Fanfare 1 & 4. Performed by The English Concert (HMU 907397). Henry Purcell: Sound the Trumpet. Performed by Andreas Scholl and Christophe Dumaux, countertenors, with Accademia Bizantina (Decca 478 2262). Marc-Antoine Charpentier: Marche de triomphe. Performed by Musica Antiqua Köln. (DG 1413)

Juan Arañés: Chacona: A la vida bona. Performed by Hesperion XXI (Alia Vox 9834). Juan del Enzina: Hoy comamos y bevamos. Performed by Hesperion XX (Astree 8707).

Dieterich Buxtehude: Fuga in C. Performed by Rene Saorgin at the historic organ of the Nikolaikirche in Altenbruch. HMX 2901485. Schlagt Künstler, die Pauken! Performed by the Gothenburg Baroque Arts Ensemble. IMCD 070.

Bache, bene venies & Gagliarda. Performed by the New London Consort. L’Oiseau-Lyre 448559.

Orlando Gibbons: O Clap your Hands Together. Performed by the Oxford Camerata. Naxos 553130.

William Byrd: Venite and Sing Joyfully from The Great Service. Performed by The Tallis Scholars.

Michael Praetorius: Variations on ‘Nun lob mein Seel’. Performed by Timothy Roberts at the organ of Roskilde Cathedral, Denmark. DG 439250.

Michael Praetorius: Ostermesse (Easter Mass). Performed by Weser Renaissance Bremen, directed by Manfred Cordes.

Carlo Gesualdo: Ahi, disperata vita & Arde il mio cor. Performed by Les Arts Florissants. HMC 901268.

Antonio Bertali: Festive Sonatas, performed by Musica Fiata.

Girolamo Frescobaldi: Toccata & Bergamasca. Performed by Rinaldo Alessandrini at the 1554 Ategnati Organ located at S. Maurizio al Monastero Maggiore, Milan. Astree 8714-15.

Claudio Monteverdi: Damigella tutta bella, performed by soprano Maria-Cristina Kiehr and bass-baritone Stephan MacLeod, with Concerto Soave. HMC 901855. Zefiro Torna, performed by The King’s Consort.

Claudio Monteverdi: Lamento della Ninfa. Performed by Concerto Italiano, with soprano Rossana Bertini. Opus 111- 30-187.

Claudio Monteverdi: Hor che l’ ciel. Performed by Concerto Italiano.  Opus 111- 30-187.

Claudio Monteverdi: Oblivion soave from “L’Incoronazione di Poppea”. Performed by Stephanie Prewitt and members of Texas Early Music Project. (Live recording from 2008.)

Claudio Monteverdi: Beatus Vir from “Selva Morale e Spirituale”. Performed by Cantus Colln.

For more information about Texas Early Music Project’s season finale “TEMP goes the full Monteverdi” please click here.

All works composed by Jan Pieterszoon Sweelinck (1562-1621)

Toccata C3. Performed by Reinhard Jaud at the 1558 Ebert Organ at the Hofkirche Innsbruck. (NM Classics 92119)

Fantasia in D minor. Performed by Gustav Leonhardt at the 1971 Metzler Organ at the Jacobskerk in The Hague. DHM 77434.

Psalm 42 & 150 from the Third Book of Psalms (1614). Performed by the Gesualdo Consort of Amsterdam, directed by Harry van der Kamp. Glossa 922404.

Felix auspiciis dies secondis from the Cantiones Sacrae. Psalm 55 & 96 from the Fourth Book of Psalms (1621). Performed by the Gesualdo Consort of Amsterdam, directed by Harry van der Kamp.

Variations on ‘Mein junges Leben hat ein End’. Performed by Siebe Henstra, harpsichord. (NM Classics 92119)

Liquide perle Amor & Yeux, qui guidez mon ame (From Rimes Françoises et Italiennes- 1612). Performed by the Gesualdo Consort of Amsterdam, directed by Harry van der Kamp.

Christoph Bernhard: Heute is Christus von den Toten auferstanden. Performed by Ekkehard Abele, bass and Das Kleine Konzert. CPO 777 046.

Vespers Music for Easter from the 13th century (Notre Dame School): Rondeau-Christo psallat; Alleluia-Epulemur (organum); Alleluia Agnus redemit (Sequence- chant); Conduit- Resurgente Domino; Motet- Laudes referat; Benediction- Benedicamus Domino; Rondeau- Vetus purgans. Performed by the Gregorian Ensemble of Notre Dame Cathedral in Paris. Hortus 073.

Francisco Guerrero: Maria Magdalene. Performed by The Rose Ensemble. Rose 00002.

Andreas Hammerschmidt: Christ lag in Todesbanden. Performed by Weser-Renaissance Bremen. CPO 999 846

Heinrich Ignaz Franz Biber: Rosenkranz Sonata No. 11: The Resurrection. Performed by violinist Leah Gale Nelson with Daniel Swenberg, theorbo; and Dongsok Shin, organ. Lyrichord 8079.

Andrzej Rohaczewski: Crucifixus surrexit. Performed by The Rose Ensemble. Rose 00004.

Michael Praetorius: Hallelujah: Christ ist Erstanden. Performed by Musica Fiata and La Capella Ducale. CBS/Sony 62929.

Dieterich Buxtehude: Chorale Prelude “Wir danken dir, Herr Jesu Christ”. Performed by Harald Vogel at the 1694 Grotian organ in Pilsum. MD+G 3425. Jesu, meines Lebens Leben. Performed by Collegium Vocale and Orchestra Anima Eterna. Channel Classics 7895.

Johann Sebastian Bach: Cantata for Palm Sunday 1714 “Himmelskönig sei willkommen”. Performed by the Ricercar Consort with soloists Katharine Fuge, Carlos Mena, Hans-Jorg Mammel and Stephan MacLeod.

Orlando di Lasso: Selections from “Lagrime di San Pietro”, performed by Ars Nova. Naxos 553311.

Johann Sebastian Bach: O Mensch bewein dein Sünde groß. Performed by Hans Fagius at the Mats Arvidsson organ at Mariefred Church, Sweden. Brilliant Classics 99365/5.

Anon.: Mit ganzem willen wünsch ich dir. Performed by Shield of Harmony. HMC 902051. Johannes Suzoy: Prophilias, un des nobles de Roume (Ballade). Performed by The Medieval Ensemble of London. L’Oiseau-Lyre 475 9119.

Samuel Scheidt: Dances from Ludi Musici, performed by Musica Fiata. CPO 777013. Freue dich des Weibes deiner Jugend. Performed by Musica Fiata and La Capella Ducale. CPO 777145.

Selections from “Dowland in Dublin” featuring tenor Michael Slattery and La Nef. ATMA 2650.

Selections from “The Great Service” by William Byrd, performed by the Tallis Scholars.

Selections from “Trionfo d’Amore e della Morte”- Florentine Music for a Medici Procession featuring Piffaro and the Concord Ensemble. Dorian 90312.

Beatriz de Dia: A chantar m’er. Performed by Estampie- Münchner Ensemble für Frühe Musik.

Elisabeth-Claude Jacquet de la Guerre: Chaconne for Harpsichord, performed by Ludger Rémy. Trio Sonata in D for 2 recorders, basso obbligato and continuo. Performed by Camerata Moderna. MD+G 605-0807.

Claudio Monteverdi: T’amo mia vita. Performed by Artek, directed by Gwendolyn Toth. Zefiro 105.

Heinrich Scheidemann: Verbum caro factus est (intabulation of a work by Hassler). Performed by Gwendolyn Toth at the Faber organ (1651) located in Zeerijp, the Netherlands. Zefiro 104.

Heinrich Ignaz Franz von Biber: Rosary Sonata No. 15: The Coronation of Mary, Queen of Heaven. Performed by Leah Gale Nelson, violin; Daniel Swenberg, theorbo and Dongsok Shin, organ. Lyrichord 8079.

17th century Airs de Cour, performed by mezzo-soprano Barbara Hollinshead, with lutenist Howard Bass: C’est un amant, ouvrez la port (anon) & Qui veut chasser une migraine (Bataille).

From ‘Secret Voices: Music from Las Huelgas c. 1300), performed by Anonymous 4: Ave regina coelorum, Benedicamus domino a 3 (rondellus) & Claustrum pudicicie. HMU 807510.